Grecon Brooches - Part I

Some time last year I repatriated these two lovely Grecons who had been living in Canada:

They are typical dolls' house size Grecons and, judging by their feet, they date to the mid 1940s/early 1950s.

And look - they both have safety pins in the back! Presumably they were intended to be worn as brooches.

The question is, were they sold like this or did the person who bought them add the safety pins?

Unfortunately, unless new information such as old adverts or catalogue entries come to light, we might never know the answer.

If I absolutely had to stake my money somewhere, I think I'd say that the owner added the safety pins.  Both of these dolls came to me from Canada and they came together but their pins are different so I'm thinking that someone just added what safety pins she had in her sewing box to convert them into brooches. But, that's just my guess.

What is more certain, however, is that these little fellows were made to be worn as brooches.

They don't have labels but as far as I'm concerned, they have unmistakable Grecon features.

I think that all three brooches probably date to the 1930s/40s, however, I think that this one featuring Beefeater guards is the earliest.

My guess is that it was made pre-war (1936-1939) as a souvenir of London. That's because I've prodded one of the heads with a fine pin (I know - I'm awful!) and found that, in common with the earliest Grecon dolls, these little fellows have heads made from a small half-round wooden button/bead (padded at the back) with a hole through the middle.  This probably dates them to the late 1930s. 

These chaps clearly represent the British Airforce, Army and Navy and it's likely that they were made and sold during WWII (1939-1945) to raise money for 'the war effort'.  

They have completely padded, soft heads - no wooden bead/button in there. The pin on the back is the same as on the Beefeater brooch, but I think that the soft heads indicate that they are probably slightly later in date and that would fit with the WWII dates too.

And that just leaves these little Grenadier Guards in their bearskin hats which are made from a lovely soft velvet.  Again, the heads are entirely soft and don't contain a wooden bead/button.

I am certainly no expert on safety pins but the one on the back of this brooch looks to be to be of a later design to the others since the pin point is completely enclosed in a safety guard in much the same way they are on modern safety pins. 

Being Grenadiers in dress uniform, as seen parading around Buckingham Palace, it's possible that they were made for sale to tourists returning to London again after the war.

Another reason for thinking that these Grenadiers are the latest in date of the three brooches is that that they have distinctly sideways-looking eyes. That sideways glance seems to be a feature of Grecon dolls with later, slightly smaller Melon feet which I believe date to the end of the WWII and the mid 1940s (when lead for feet was harder to come by). Grecondale's Captain Richard Clutch, seen above, is a prime example of the sideways-glancing smaller melon foot Grecon.

So there we have it - my musings on Grecon brooches. And that is all they are, musings. My blog helps me to get my thoughts and ideas together on these matters but what I write is by no means intended to be authoritative and I always welcome feedback as to the accuracy of my assumptions and guesswork - it's the only way to learn!

Until next time,
Zoe

[P.S. For anyone who is interested, a full account of my thoughts on dating Grecons by means of their feet and features can be found on my 'About Grecon Dolls' blog page here.]

A Good look at Peggy Lines' Dolls' House

In August, my friend Jenny and I went to see the V&A Museum of Childhood's 'Small Stories at Home in a Dolls House' exhibition which is on display in the Weston Park Museum in Sheffield until the 7th of January, 2018.

I saw the exhibition when it originally went on display in London but I was very happy to have the opportunity to view it once again.



One of the dolls' houses I enjoyed viewing most in the exhibition was Peggy Lines' dolls' house.



This one-off dolls' house was designed and built in the Lines Brothers [Tri-ang] factory in 1933 as a gift from Walter Lines (one of the three brothers who co-founded the company) to his eldest daughter Peggy.



The house is about six feet long and has eight rooms plus the gallery landing...

   

...and including a room above the garage.



One of the most impressive features of the house has to be the grand hallway and gallery landing.

According to Peggy Lines in her book 'From G&J to Tri-ang', the hallway "had a strong resemblance to the hall at Leigh Place, where we lived, with a staircase (with turned posts) leading to a gallery".



The recessed Mock-Tudor fireplace, the turned balustrades and the wood-clad walls all give the hallway a very grand look.

In this scene we can see Tri-ang Queen Anne Period armchairs either side of the fireplace and Tri-ang Queen Anne Period ladder-back dining chairs arranged around a Pit-a-Pat dining table. The Barton grandfather clock is later in date and the tea set on the table is a much more modern miniature.

 

The little bisque doll in the red gingham dress in the scene represents Peggy and there's a photo nearby (on the wall of the museum) that shows portraits of Peggy as a girl and the little doll, side by side to show the resemblance.



In the living room, there is another lovely Mock-Tudor fireplace in an inglenook with a window to either side, making that whole wall of the room into an excellent feature.

Pretty, fine lawn curtains in Liberty prints are a feature of the house. The large rug is by Pit-a-Pat. The gas fire in the hearth is by Taylor & Barrett and the green metal telephone is by Barrett and Son.

I didn't recognise the bookcase/bureaux piece but then Jenny told me that she thought it was by Bassett-Lowke and, looking at their 1931 catalogue on the Brighton Toy Museum website, it certainly is and in fact, the leather armchair, which I didn't recognise either, is also by on Bassett-Lowke - it is described in the catalogue as "Upholstered and covered in real leather". Bassett-Lowke sourced both of these pieces from the German firm ANFOE.

The clock on the mantle is by Barton and the log basket is by Lundby. The rocking horse looks to be a much more modern miniature as is the floral suite which, to be honest, spoils the whole room for me: there is nothing vintage about it at all and, being such central feature, it's difficult to overlook.

I understand that later owners added the more modern miniatures in the house and in that sense they're part and parcel of it, but to my mind this suite has no place in there and would be better replaced with something more in keeping with the rest of the furnishings and more akin to something Peggy might have had in there originally. But that's just my opinion and I imagine that 99.9% of those who view the house aren't in the least bit bothered!

Personally, I'd try moving the beautiful Westacre three-piece suite from the bedroom down here. Sigh, if only I could play around with it like that!!!



This is a close-up of the picture on the chimney breast and you can also see the the lovely detailing in the chimney breast itself.

In this [very poor] shot of the other side of the room you can just see the side of a Tri-ang Queen Anne Period writing bureaux to the left and behind the bisque boy there is a lovely Bretton cupboard with a very nice wireless radio atop.



In the dining room there is a Tri-ang Chippendale Period dining table with matching chairs and sideboard. I don't recognise the writing bureaux, nor the dresser.

There is another Mock-Tudor fireplace in the dining room and in this close-up we can see the lovely clock on the mantle and the little painting above it.



The final downstairs room is the kitchen.  I find that there is something very appealing about the colours and simplicity of this room.

I'm not sure why the fireplace is empty - maybe the household bricked or boarded it up when they converted to gas, as many households did!

The plaster cake on the table is by Kaybot Novelties and the two metal dishes of food are by Dol-Toi. The bottle of wine and the Edam cheese are modern miniatures.

Apparently the sink had running water!

Upstairs the bathroom is quite a plain room, but the bath and sink both had running water too...

...and there is a lovely little Rusco linen basket.

Bedroom number one has a lovely Tri-ang Queen Anne Period bed, wardrobe and demi-lune side table in it.



But for me, the most drool-worthy furniture in the house isn't any of the Tri-ang pieces: it has to be the beautiful matching Westacre fourposter bed, Ottoman and three-piece suite in the larger bedroom.  I could be tempted to give my right arm for this!

The fireplace in this bedroom has a green tile effect and again it's in an inglenook with windows either side. There is a very pretty picture of flowers resting on the mantle.

And the final room is the one sited above the garage which is in use as a third bedroom. I don't seem to have taken a photograph of the room in its entirety but it contains a very smart bedroom suite by Elgin of Enfield and this is a close-up of the gorgeous bed and bedding.

So that's the end of my little tour of Peggy Lines' wonderful house. What a lucky little girl she was!

Until next time,

Zoe

[My apologies for the poor quality of some of these photos: the lighting in the exhibition hall was a bit dim and because the house was behind glass it was difficult too to get any distance shots without the inevitable reflections.]

Noah's Ark

Still catching up!

At the beginning of last month, my friend Rosemary visited and brought with her this lovely little Noah's Ark that she'd made from card:

I'd previously admired the one she'd made for a nursery in one of her own dolls' houses and so she'd very kindly made myself and our friend Brooksey one each.

These three pairs of Warwick Miniatures Noah's ark animals were in the nursery of my Triang Princess 2 but I had no ark to go with them, so there was no doubt about where Rosemary's ark would go.

It reminds me of the flat-bottomed ark I saw in May of this year when I visited Ilkley Toy Museum with my friend Jenny.

In keeping with tradition for this toy (and based, of course, on the bible story), both my miniature and the ark in the museum have a little dove holding an olive leaf depicted on the roof.

Thank you once again, Rosemary, for this super little gift. I will treasure it.

Until next time,

Zoe

An Afternoon at Jenny's

Such good intentions of catching up and here I am three and a half weeks later without a single post in between!

Anyway, three and a half weeks ago, I went to see my friend Jenny for the afternoon. She has an utterly fascinating collection of vintage dolls' houses that I could look at and discuss with her until the cows come home. (And I've done just that with her on several occasions now!)

This time we were focusing on Grecons and I wanted to share these photos that I took of one of Jenny's houses (a Triang No. 50) that is 'peopled' by a large family of Grecons - my favourite dolls' house dolls of course!



The house belongs to grandma who, as you can see, adores chintz.  I particularly love the rug and bun case light-shade. Oh and the tiny tube of Polos on side just reminds me of visiting my own grandma who always had a tube of Polo mints on the go.

This is grandma and I think she's possibly the prettiest, most chintzy looking Grecon grandma I've ever seen! The house is so her!

And this is grandma's handsome grandpa!  With his strong eyebrows (matching his wife's), healthy beard and smart waistcoat, this chap probably wows all the Grecon grannies.

And look at the outfit on this lovely young man from the 1940s, presumably the grandson. What a bobby dazzler!



The younger children are all in the room next door where grandma's own brand of chintz continues.  Isn't this a fab room? The paper door just makes me smile, the rug is gorgeous and the two lamps are wonderful.

Upstairs in the bedroom, grandpa apparently put his foot down when it came to chintz and we have a much more subtle wallpaper. Grandma has managed to sneak in a few chintzy accessories though, so grandpa didn't get his own way entirely.  (Is there actually a bed in there? It's hard to see for all grandma's dressmaking fabrics and paraphernalia!)

Changing baby's nappy is this lovely Grecon lady who must surely be Little Miss Muffet or Little Bo Peep!  I've never seen another Grecon like her - what a little cracker!



And in the other bedroom we have this trendy young miss who is into all things 'flower power' - I LOVE her crazy room!

She's great too, with her trendy psychedelic nylon dress, black fishnet tights and upright pony tail!

And finally, a quick glimpse at the bay windows and more of grandma's chintz - go grandma!

Many thanks to Jenny for letting me share these photos of her fab house and its habitants, and for yet another thoroughly enjoyable and absorbing afternoon of dolls' house delights!

Until next time,
Zoe